I am very excited about this installment of "Before & After". The reasons I am excited for it are twofold (picture Chandler from "Friends" sticking his fingers up from a little hole in a big box...) First, we received a lot of feedback on our black and white images from New York, and some really good questions about how we get the look that we do. And that is exciting because we went to New York with the intention of shooting some nice Fine Art stuff. So I am excited to talk about that. Second, mastering black and white photography is something that takes a lot of work, and we are no where near masters yet, but we both really love it and we actually were talking on the plane ride to New York about how we want to go out and practice shooting with the intention of the images being black and white afterwards. So this area is one in which we are learning and growing so talking about it is exciting as it forces me to know my stuff even more!

The inspiration for this came from reading this month's Popular Photography magazine. On page 24 there is a fabulous article on black and white photography and some tips and things to practice to become better at it. We all know that Ansel Adams was practically a god of this type of imagery and he often talked about visualizing how you want a finished image to look in your mind before you even snap the shutter of your camera. That skill is even more important when you're shooting for black and white since the things that usually turn out great in color images can muddy up your shot in black and white. Have you ever been playing around in Photoshop and turned a great image from color to black and white only to feel like the image went from "POW" to "blah"? The difference between the two is all about tones, or degrees of brightness. Brightly colored flowers and green grass may evoke a joyful emotion in a colored image but may appear drab in a black and white if their tones all translate to the same shade of gray. Generally, images with high contrast and look much more striking when converted to black and white than those with lower contrast.

So, Nate and I decided that we would start practicing this different way of seeing. To look at a scene in degrees of brightness instead of colors. This is an interesting shift of thought and a fun challenge.

Here is Nate's image of a building along the Hudson River straight out of the camera...


It's a good image. The bottom is a bit distracting though so I pulled it into Adobe Lightroom and cropped the angle to cut the street and cars out and also to draw the eye up to the building and the sky. Next I brought it into Photoshop and started playing...



I primarily use actions from Totally Rad Actions so I talk about them a lot but you can create the same effects without them just using Photoshop's own tools. I used TRA's Ying/Yang to lighten the building and the staircase and to darken the area along the bottom and the building to the left. Then I used TRA's Big Blue to bring out the blue tones in the sky to create more contrast between them and the clouds so that when we converted to B&W they would stand out more. Next I sharpened the building and then ran our own warm black and white conversion on it.

And now one more time without the writing on it...


We hope to continue to learn and grow in this area. There is just something magical about black and white images. They carry no emotions from the colors they include but instead create emotion based on their essence. They are just timeless. What are some of your favorite things about black and white images?

I recently read an inspiring quote by Cheryl Jacobs, an amazing fine art portrait photographer. She said, "Style is a voice, not a prop or action. If you can buy it, borrow it, download it, or steal it, it's not a style. Don't look outward for style; look inward." I thought that was such a wise statement. There are so many wonderful tools our there for photographers right now. There are amazing action sets from talented artists like Jesh De Rox, the Boutwells, and Kevin Kubota, among many others. And I think that a lot of the time, it's easy to purchase those things thinking that they will define your style and take your images to the next level. But unless you can define your style in your camera first, you will never find it in Photoshop. I love doing these before and after shots and sharing how we create our images but I never want anyone to think that it's all about a process, or an action set. Those things are tools. Real style comes from inside. It comes from vision, connection and from the imagination of the artist. Everything else is just accenting.

I chose this image for a reason. This image is a perfect example of how you don't need to go photoshop crazy to create a style. If any of you reading this know me personally, you know how much I LOVE editing images and how much I think that the post processing is just as much a part of the artistic process as taking the picture. I just want to be clear, photoshop should never be a crutch.

This one was shot by Nate and as you can see, this image looks pretty great straight out of the camera. I did not have to do much editing to it. Just a few tiny corrections and a bit of toning and sharpening. (I pretty much sharpen everything, we just like how it looks.) The actions we used were from the TRA set and are our favorite action set to use. We also used Nate's newest toy, a neutral density filter, to help during this shoot as we were pretty much shooting straight into the sun for most of it. Nate nailed the shot in the camera, I enhanced it and voila! How's that for teamwork? ;)

Hello dear friends! I am hiding out inside today because, as the last Saturday before Christmas, I know the outside world is crazy today! We have actually finished pretty much all of our holiday shopping. I think I just need some more stocking stuffers, and a few gifts for our family and we'll be done! But, I plan on venturing out during the week sometime when the malls are less crazy.

Recently I have been asked by a lot of people how we get our skies to look the way they do in pictures. I am so flattered by the question because bold skies are one of our favorite things to shoot and we take a lot of pride in the images! I'm not going to lie to you, a lot of the magic happens in the camera. A good quality lens will help a lot as well! I know you were wishing for some secret Photoshop trick but I don't really have one for you. You have got to get your pictures looking good straight out of the camera if you want them to look good after they've been edited. There's only so much you can do with a poorly taken picture. So, step one: make sure you have got your settings down in camera! The editing is the easy part! We use Adobe Lightroom and Adobe Photoshop CS3 for our post processing and we have a storehouse of textures, actions, and presets that we use for our work. For our big sky pictures, we generally use the actions from Totally Rad.

Here is a before and after from one of our recent big sky portraits with our camera settings and actions of choice:

Now go out there and capture those gorgeous skies all around you!

Happy Holidays!